Neither will your co-workers, your church friends, or the people you play rugby with on Wednesdays.
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They lie to you. Your friends are not your fans. Beyond their initial support of your musical endeavors coming out to your early shows, liking you on Facebook, etc.
You have no realistic way of testing how your music truly moves people. Seek outside opinions and listen to the feedback!
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Let it sink in; let it lift your spirits or sting accordingly; and after the dust has settled, if you think a bit of negative feedback has some validity to it, make the necessary adjustments. Your act will be far stronger for it down the road. What do you think? A log transformation is taken here to mitigate the effect of the positive skew in the data.
The first peak relates to cases where you and your friend start the search within 15 steps of each other - which is the threshold for finding each other.
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Figure 2. Distribution of the log number of steps taken to find your friend under the two strategies.
You can alter the variables: the size of the festival grounds; how close you need to be to your friend before you find each other; and the probability of each of you changing directions. If your friend decides to stay put rather than move about in search of you, is there anything you can do to help decrease the time you spend looking for each other?
You'll recall that in setting up the simulation I mentioned an assumption that you and your friend would each change direction approximately five per cent of the time? I describe this as a reasonably composed search, in the sense that neither party is frantically changing directions. I wanted to see how a change in this measure of 'composure' would affect your chances of finding your friend.
Again, I ran the simulation , times, this time for a fixed festival ground size steps , while varying how frequently you change directions. I assume that you always move, but your friend may or may not.
We Are Your Friends (film) - Wikipedia
In the event that they do move, however, they maintain the cool head they did previously, changing their direction on average five per cent of the time. I examined the impact of conducting a composed search of the festival grounds, with the probability of changing direction set to 0. Under this scenario, you would only change direction when you reach a boundary, and the direction change at the boundary would be random.
I then compared this to a totally erratic search, where the probability of changing direction is 1 - meaning you change direction every step - and looked at the median time to reunion, as shown in Figure 3. Figure 3. Median number of steps taken to find your friend as your probability of changing direction changes, in the case where your friend moves and stays. Number of steps is equivalent to number of seconds.
7 Steps That’ll Help You Find Musical Inspiration
The benefit of keeping your composure in the search for your friend is clear. However, this difference pales into insignificance when we see what happens if your friend decides not to move. With a median time to reunion of 3, steps, moving erratically will cause you to spend more than 10 times as long searching for your friend than you would had you maintained your composure steps.