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They will begin development of a new work that is set to premiere during the season. A series of public events will be announced by October Thomas will develop Part 3 of the autobiographical trilogy, drawing on trips taken to Liberia between Theater artist Evan Yionoulis NYC will develop The Dread Pirate Project , which, through the real-life story of the rise and fall of a young online black market mogul, explores the nature of identity, the elusive quest for 21st century anonymity, and the deceptively thin membrane between the digital and natural worlds.

The project grew out of the question: what if a playwright and a designer collaborated on a project from the very earliest stage, before a single word was written? Choreographer Netta Yerushalmy NYC will develop Paramodernities , a series of eight dance experiments meditating on modernism within and beyond the purview of dance. The work explores foundational tenants of modern discourse such as sovereignty, race, feminism, and nihilism. Kyoung H. Park NYC rigorously explores sources of violence and engages with local communities to develop an empathetic understanding of underrepresented perspectives.

Choreographer Maria Hassabi NYC will develop a new live-installation work, STAGING , focusing on the contours of stillness, while addressing the ways in which the spectacle of performance is presented within museum spaces. BAC hosts 11 artists and their collaborators who will develop new projects during two-week or three-week residency periods between January 9 and June 17, They will recieve space and time for creative investigation, as well as financial, technical, and marketing support.

Theater artist Manuela Infante Santiago, Chile will develop A Conference to Plants , a compilation of monologues examining the relationship and impossibility of communication between humans and plants. Director Mark DeChiazza NYC will develop video content for an opera without words, Orpheus Unsun g, in which an electric guitar is the disembodied voice of Orpheus seeking to regain Eurydice through the power of his music. Exploring notions of sisterhood and the feminine form, the work seeks to express a new understanding of cultural and social perspectives of femininity.

The layered process of creating choreography for film—interacting with dancers, filming scenes, and reconstructing these experiences through editing—inspires content impossible to convey through any singular medium.

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Theater artists Brokentalkers Dublin, Ireland will examine themes of healthcare and aging, and what the future might hold for the human race as technological advances challenge normal patterns of aging and death. Collaborating with two performers, a choreographer, and a composer, the work will fuse live electro synth music with contemporary dance and original text.

Choreographer Zoe Scofield Seattle will work with zoe I juniper company dancers and New York-based Sacred Harp communities to explore how her formal movement vocabulary intersects with spiritual a cappella choral singing. Williams and composer Robert F. Haynes to develop a work exploring reasons, methods, and varying ways of revealing oneself to the world. Artists across disciplines will have dedicated time and space for creative investigation, as well as opportunities to meet and exchange ideas with other artists across disciplines.

As of February The Knights chamber orchestra NYC will develop two projects at BAC: the first, a collaboration with banjo virtuoso and composer Bela Fleck; the second, a program to be performed with soprano Dawn Upshaw. The six pairings are:. Choreographer Pam Tanowitz will develop Broken Story wherein there is no ecstasy , an evening-length dance inspired by a J. Salinger short story and French New Wave cinema.

The work is designed for two choirs one composed of children, another composed of senior citizens who will participate in a mock-epic intergenerational dialogue about global responsibility—sometimes hilarious, sometimes rancorous, sometimes poignant. In this, their third collaboration, Lieber and Smith will continue to explore tensions of a powerful inner world through improvisation-based movement, set in a sparse physical environment. Theater artist, visual artist, and filmmaker Jim Findlay will develop Vine of the Dead VOD , a visual art performance that attempts to communicate across the divide between life and death, while investigating the place and meaning of ritual in the 21st century.

Whereas rite riot was an investigation of the black body as object, portrait investigates the black body as subject, focusing on masculinity deconstructed through movement. Charles Atlas has been active as a filmmaker and video artist since the s. He experiments with new technologies, making works that have moved from the highly flamboyant to the very minimal.

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Atlas is a pioneer of video-dance—choreography created specifically for the camera. Atlas was the Merce Cunningham Dance Company's filmmaker-in-residence from to Tei Blow is a performer, educator, and media designer based in New York. He also performs as Frustrator on Enemies List Recordings. Phyllis Chen is a composer, keyboardist and creative force whose work draws from her tactile exploration of objects and sound.

One of her latest large-scale solo works, Lighting The Dark , uses a variety of keyboards two toy pianos, clavichord, accordion, Casio SK1 along with custom-made music boxes and projection. Liz Gerring was born in San Francisco in She grew up in the Los Angeles area and began studying dance when she was thirteen. In high school she studied at the Cornish Institute in Seattle. With Merce Cunningham and Trisha Brown having an ever-evolving and profound influence on her own frank aesthetic, she formed the Liz Gerring Dance Company in , after a brief career detour in bicycle racing.

Silas Riener graduated from Princeton University in with a degree in Comparative Literature and certificates in Creative Writing and Dance, with a focus on linguistics. He has an ongoing collaboration with sculptor Martha Friedman. Since he has collaborated with choreographer Rashaun Mitchell. Headshots: Atlas by Lori E. Peter Mills Weiss and Julia Mounsey collaborate together on works for the stage.



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Their work wrestles with questions of cruelty, authenticity, ownership, deception, entertainment, and power. Bobbi Jene Smith was born in Centerville, Iowa. From she was a member of the Batsheva Dance Company under the artistic direction of Ohad Naharin. Smith has been a certified GAGA teacher for the past 13 years and has taught Ohad Naharin's repertory in schools and universities around the world. Everett Saunders is a Father, composer, sound designer, audio engineer, performer, and organizer working in scoring and sound design for film, theater, and music production. Ella Rothschild was born in Israel in Rothschild is a choreographer and multi-disciplinary artist and dancer.

Since , she has been creating her own works in collaboration with various artists from different disciplines.

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Her work integrates dance, visual art, and music. Mallory Catlett is a creator and director of performance across disciplines from opera to installation. Rainbird, a co-production with Experiments in Opera, will be her first libretto, which she is co-writing with composer Aaron Siegel. Aaron Siegel is a composer for the concert stage and the theater. He is an enthusiastic collaborator who believes in the power of shared process and inquiry. A recent collaboration with the U. Poet Laureate Tracy K. His contributions to the collaboratively composed opera, Chunky in Heat , will be heard at the premiere in May at The Flea Theater.

Siegel has been developing the new music theater piece Rainbird with long-time collaborator, director Mallory Catlett, with whom he created his first opera, Brother Brother. Siegel is one of the co-founders of Experiments in Opera EiO and has produced over 65 new operatic works with the company since its founding in Amir ElSaffar is an expert trumpeter with a classical background and is conversant in the language of contemporary jazz, while creating techniques to play microtones and ornaments idiomatic to Arabic music that are not typically heard on the trumpet.

Additionally, he is a purveyor of the centuries-old Iraqi Maqam tradition, which he performs actively as a vocalist and santur player. ElSaffar founded Two Rivers in , a six piece ensemble combining jazz with Maqam. He has released seven critically acclaimed albums and leads five ensembles, in addition to collaborating with musicians in the US, Europe, and the Middle East.

ElSaffar is composer in residence of the transcultural program at the Fondation Royaumont in France, where he is creating three new works between and Often described as human and humane, his interdisciplinary works are visually evocative and emotionally piercing.

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Nathan Davis "writes music that deals deftly and poetically with timbre and sonority" NYTimes. Sylvia Milo is an award-winning actress, playwright and producer, based in NYC. His recent interest lies in hybrid performances in which the creative process assembles elements from several cultures and different cultural sources. Between and he created eleven performances in Peru, Spain, and Germany. Ana Zavala is an interdisciplinary dance artist who focuses on movement, narrative, history, and emotion.

Beyond the stage, SMC produces site-specific happy hour performances in active breweries, and created the mini dance film series Ten Tiny Dances , viewable online. The dancers, in two lines of three, walk, rock, twirl, and hop forward and backward, the lines slowly exchanging and then re-exchanging places like the ebbing and flowing of a tide.

The dancers lean against and away from each other, heads supported by hands, a leg grasped as a dancer tilts to break free. They mirror each other in couples before splitting the space as two groups of three, a brief distance between them before they magnetically reconvene as a single unit in the corner. The piece brings together dancers from the U. The soundtrack of the piece is composed largely by Curtis Macdonald with additional music by Simon Broucke, a Tunisian hip hop song by KATYB, and stories recorded by each of the dancers sprinkled throughout.

As I watch the dancers, I find myself wondering: if I did not know who was Tunisian and who was American from the outset, would I be able tell? And to what extent do these signifiers even matter? We can exist together, we can live together, without it being some message or some signpost in the sand, some marker of who you are…. In the studio, the dancers spend time problem-solving a lift. Elena Hecht is currently finishing an M.

There are collisions between unexpected pieces. Nail on the head versus opening the question. Unpacking materials without fully unpacking. Examining the difference between killing and fucking. Free range conversations veer across politics. Is it an exchange? Is it a space to advocate for a point of view? Are we just going to be animals, or are we going to evolve? Actors attempt to paraphrase the intention of characters.